<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.wnyc.org/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>WNYC's Soundcheck</title><link>http://www.wnyc.org/shows/soundcheck/</link><description>Soundcheck®, hosted by John Schaefer, is WNYC’s daily talk show about music. Covering all musical genres, Soundcheck celebrates the musical passions of performers, composers, and critics as well as the public radio audience. Listeners enjoy intimate conversations with and live performances by leading artists from around New York and around the globe. The show also strives to bring listeners up to date on the latest music industry news, trends and ideas, and it offers listeners a voice with frequent call-in segments.
The show airs on WNYC 93.9 FM in New York, WDET 101.9 FM in Detroit and on Sirius XM Public Radio (channel 121 for XM subscribers).</description><language>en-us</language><lastBuildDate>Tue, 07 Feb 2012 00:00:00 -0500</lastBuildDate><ttl>600</ttl><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.wnyc.org/wnyc_soundcheck" /><feedburner:info uri="wnyc_soundcheck" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:copyright>© WNYC Radio</media:copyright><media:thumbnail url="http://media40.wnyc.net/media/photologue/photos/soundcheck_.jpg" /><media:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Music</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Performing Arts</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Technology/Gadgets</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Society &amp; Culture</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">TV &amp; Film</media:category><itunes:owner><itunes:email>listenerservices@wnyc.org</itunes:email><itunes:name>WNYC, New York Public Radio</itunes:name></itunes:owner><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:explicit>no</itunes:explicit><itunes:image href="http://media40.wnyc.net/media/photologue/photos/soundcheck_.jpg" /><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><itunes:subtitle>WNYC, New York Public Radio, brings you Soundcheck, the arts and culture program hosted by John Schaefer, who engages guests and listeners in lively, inquisitive conversations with established and rising figures in New York City's creative arts scene. Gue</itunes:subtitle><itunes:summary>WNYC, New York Public Radio, brings you Soundcheck, the arts and culture program hosted by John Schaefer, who engages guests and listeners in lively, inquisitive conversations with established and rising figures in New York City's creative arts scene. Guests come from all disciplines, including pop, indie rock, jazz, urban, world and classical music, technology, cultural affairs, TV and film. Recent episodes have included features on Michael Jackson,Crosby Stills &amp; Nash, the Assad Brothers, Rackett, The Replacements, and James Brown.</itunes:summary><itunes:category text="Music" /><itunes:category text="Arts"><itunes:category text="Performing Arts" /></itunes:category><itunes:category text="Technology"><itunes:category text="Gadgets" /></itunes:category><itunes:category text="Society &amp; Culture" /><itunes:category text="TV &amp; Film" /><image><link>http://www.wnyc.org/shows/soundcheck/</link><url>http://media40.wnyc.net/media/photologue/photos/soundcheck_.jpg</url><title>Soundcheck</title></image><feedburner:feedFlare href="http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http%3A%2F%2Ffeeds.wnyc.org%2Fwnyc_soundcheck" src="http://www.newsgator.com/images/ngsub1.gif">Subscribe with NewsGator</feedburner:feedFlare><feedburner:feedFlare href="http://www.netvibes.com/subscribe.php?url=http%3A%2F%2Ffeeds.wnyc.org%2Fwnyc_soundcheck" src="http://www.netvibes.com/img/add2netvibes.gif">Subscribe with Netvibes</feedburner:feedFlare><feedburner:feedFlare href="http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.wnyc.org%2Fwnyc_soundcheck" src="http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif">Subscribe with My Yahoo!</feedburner:feedFlare><feedburner:feedFlare href="http://fusion.google.com/add?feedurl=http%3A%2F%2Ffeeds.wnyc.org%2Fwnyc_soundcheck" src="http://buttons.googlesyndication.com/fusion/add.gif">Subscribe with Google</feedburner:feedFlare><item><title>Korean Pop's Global Campaign
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/KIpX7wkZWIk/</link><description>&lt;p&gt;The number 1 pop group in Korea is campaigning for the top of the US charts too – with its first release in English. Today, in our &lt;a href="http://www.wnyc.org/shows/soundcheck/clusters/2011/nov/01/genre-patrol/"&gt;&lt;strong&gt;Genre Patrol&lt;/strong&gt;&lt;/a&gt; series we look at the global rise of the very young, very profitable genre of Korean Pop music – or, K-pop. Plus: a live performance from the Canadian musician Afie Jurvanen, aka &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Bahamas"&gt;Bahamas&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=KIpX7wkZWIk:Wz4wxLMZbVw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=KIpX7wkZWIk:Wz4wxLMZbVw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=KIpX7wkZWIk:Wz4wxLMZbVw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/KIpX7wkZWIk" height="1" width="1"/&gt;</description><pubDate>Tue, 07 Feb 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/feb/07/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/GirlsGeneration_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/GirlsGeneration_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/GirlsGeneration_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/feb/07/</feedburner:origLink></item><item><title>Soul Train's Legacy
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/r0C-5gMd-c8/</link><description>&lt;p&gt;Don Cornelius, the creator of "Soul Train," died last week at the age of 75. Today, we look back at the show, its stars -- and the legacy of the man who brought black music and culture into America’s living rooms. Plus, violinist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Ray+Chen"&gt;Ray Chen&lt;/a&gt; stops by on the eve of his first-ever orchestral release to perform some of his favorite solo works.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=r0C-5gMd-c8:4FY5_-oQWjI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=r0C-5gMd-c8:4FY5_-oQWjI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=r0C-5gMd-c8:4FY5_-oQWjI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/r0C-5gMd-c8" height="1" width="1"/&gt;</description><pubDate>Mon, 06 Feb 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/feb/06/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/YbcWoKnxmdQ/soundcheck020612pod.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Soul%20Train%20Amazon_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Soul%20Train%20Amazon_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Soul%20Train%20Amazon_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> Don Cornelius, the creator of "Soul Train," died last week at the age of 75. Today, we look back at the show, its stars -- and the legacy of the man who brought black music and culture into America’s living rooms. Plus, violinist Ray Chen stops by on the</itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> Don Cornelius, the creator of "Soul Train," died last week at the age of 75. Today, we look back at the show, its stars -- and the legacy of the man who brought black music and culture into America’s living rooms. Plus, violinist Ray Chen stops by on the eve of his first-ever orchestral release to perform some of his favorite solo works. </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/feb/06/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/YbcWoKnxmdQ/soundcheck020612pod.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck020612pod.mp3</feedburner:origEnclosureLink></item><item><title>From "Guitar Zero" to Guitar Hero
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/zEbPavidcA8/</link><description>&lt;p&gt;Today: Self-described “Guitar Zero,” psychologist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Gary+Marcus"&gt;Gary Marcus&lt;/a&gt;, discusses his new book about finding musical talent in his 40s. And: Guitar &lt;em&gt;hero &lt;/em&gt;&lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Vernon+Reid"&gt;Vernon Reid&lt;/a&gt; talks about updating his WNYC-commissioned work, “Artificial Afrika.”&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zEbPavidcA8:GgPAk1tuzMM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zEbPavidcA8:GgPAk1tuzMM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zEbPavidcA8:GgPAk1tuzMM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/zEbPavidcA8" height="1" width="1"/&gt;</description><pubDate>Fri, 03 Feb 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/feb/03/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/IwDR4Vxc5ok/soundcheck020312pod.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/guitarEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/guitarEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/guitarEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> Today: Self-described “Guitar Zero,” psychologist Gary Marcus, discusses his new book about finding musical talent in his 40s. And: Guitar hero Vernon Reid talks about updating his WNYC-commissioned work, “Artificial Afrika.” </itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> Today: Self-described “Guitar Zero,” psychologist Gary Marcus, discusses his new book about finding musical talent in his 40s. And: Guitar hero Vernon Reid talks about updating his WNYC-commissioned work, “Artificial Afrika.” </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/feb/03/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/IwDR4Vxc5ok/soundcheck020312pod.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck020312pod.mp3</feedburner:origEnclosureLink></item><item><title>Mike Doughty's "Book of Drugs"
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/bMDPMrzbvpk/</link><description>&lt;p&gt;Musician and poet &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Mike+Doughty"&gt;Mike Doughty&lt;/a&gt; launched the cult rock band Soul Coughing in the 1990s. Today, he joins us to talk about his new memoir, which recounts his struggles with addiction -- and he plays live. Plus: the sonic "branding" of this weekend's Super Bowl.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bMDPMrzbvpk:tuwSVd5wVqA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bMDPMrzbvpk:tuwSVd5wVqA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bMDPMrzbvpk:tuwSVd5wVqA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/bMDPMrzbvpk" height="1" width="1"/&gt;</description><pubDate>Thu, 02 Feb 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/feb/02/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/Q-2lauiKH4Q/soundcheck020212pod.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/MikeDoughty_DeborahLopez2_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/MikeDoughty_DeborahLopez2_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/MikeDoughty_DeborahLopez2_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> Musician and poet Mike Doughty launched the cult rock band Soul Coughing in the 1990s. Today, he joins us to talk about his new memoir, which recounts his struggles with addiction -- and he plays live. Plus: the sonic "branding" of this weekend's Super B</itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> Musician and poet Mike Doughty launched the cult rock band Soul Coughing in the 1990s. Today, he joins us to talk about his new memoir, which recounts his struggles with addiction -- and he plays live. Plus: the sonic "branding" of this weekend's Super Bowl. </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/feb/02/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/Q-2lauiKH4Q/soundcheck020212pod.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck020212pod.mp3</feedburner:origEnclosureLink></item><item><title>"Smash" Brings Broadway to TV 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/CxWRn73Jki4/</link><description>&lt;p&gt;NBC is banking on a new workplace drama – but it isn’t about doctors or detectives. Today: The real-life Broadway veterans who make up the cast and crew of “Smash"... including &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Megan+Hilty"&gt;Megan Hilty&lt;/a&gt; of "Wicked" and "9-5: The Musical" and Tony-winning composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Marc+Shaiman"&gt;Marc Shaiman&lt;/a&gt;. Plus: Some live "hardcore folk" music from Poland's &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Warsaw+Village+Band"&gt;Warsaw Village Band&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=CxWRn73Jki4:cfBSsEWRMIY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=CxWRn73Jki4:cfBSsEWRMIY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=CxWRn73Jki4:cfBSsEWRMIY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/CxWRn73Jki4" height="1" width="1"/&gt;</description><pubDate>Wed, 01 Feb 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/feb/01/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/ebaVhK-eJqM/soundcheck020112pod.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/photo2EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/photo2EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/photo2EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> NBC is banking on a new workplace drama – but it isn’t about doctors or detectives. Today: The real-life Broadway veterans who make up the cast and crew of “Smash"... including Megan Hilty of "Wicked" and "9-5: The Musical" and Tony-winning composer Marc</itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> NBC is banking on a new workplace drama – but it isn’t about doctors or detectives. Today: The real-life Broadway veterans who make up the cast and crew of “Smash"... including Megan Hilty of "Wicked" and "9-5: The Musical" and Tony-winning composer Marc Shaiman. Plus: Some live "hardcore folk" music from Poland's Warsaw Village Band. </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/feb/01/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/ebaVhK-eJqM/soundcheck020112pod.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck020112pod.mp3</feedburner:origEnclosureLink></item><item><title>Philip Glass: Happy 75th Birthday!
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/pP5J9d-Kjgk/</link><description>&lt;p&gt;Composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Philip+Glass"&gt;Philip Glass&lt;/a&gt; turns 75 today, and he spends part of his birthday with us -- plus he previews his newest recording, the Symphony No. 9. And: Icelandic composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Johann+Johannsson"&gt;Johann Johannsson&lt;/a&gt; shares with us his music for the Bill Morrison silent film “Miners’ Hymns.”&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=pP5J9d-Kjgk:-JebsY2taEk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=pP5J9d-Kjgk:-JebsY2taEk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=pP5J9d-Kjgk:-JebsY2taEk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/pP5J9d-Kjgk" height="1" width="1"/&gt;</description><pubDate>Tue, 31 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/31/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/phillip_glass_steve_pyke_edit_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/phillip_glass_steve_pyke_edit_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/phillip_glass_steve_pyke_edit_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/31/</feedburner:origLink></item><item><title>Disco... Yes, Disco
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/hj8fpV41upE/</link><description>&lt;p&gt;Today, the ghosts of disco’s past and present come out to play. Author &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=David+Meyer"&gt;David Meyer&lt;/a&gt; takes a look at how the Bee Gees evolved from pop balladeers to dance floor champions. And: Brooklyn disco revival band &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Escort"&gt;Escort&lt;/a&gt; brings the four-on-the-floor beat to the studio.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=hj8fpV41upE:T4iGLTYUAtc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=hj8fpV41upE:T4iGLTYUAtc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=hj8fpV41upE:T4iGLTYUAtc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/hj8fpV41upE" height="1" width="1"/&gt;</description><pubDate>Mon, 30 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/30/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/many%20disco%20ballsEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/many%20disco%20ballsEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/many%20disco%20ballsEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/30/</feedburner:origLink></item><item><title>Vanilla Ice Renovates
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/Ulhn3-VP_qk/</link><description>&lt;p&gt;&lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Vanilla+Ice"&gt;Vanilla Ice&lt;/a&gt; is back – as a home improvement guru. Today: the rapper behind the '90s hit “Ice Ice Baby” discusses his real estate reality show: “The Vanilla Ice Project.” Plus, John's killer chili recipe. And, we’re setting you up on a &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Blind+Date"&gt;Blind Date&lt;/a&gt; with a band of Brooklynites whose hooky pop…will attempt to hook your ears.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ulhn3-VP_qk:9enaVAFOPjI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ulhn3-VP_qk:9enaVAFOPjI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ulhn3-VP_qk:9enaVAFOPjI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/Ulhn3-VP_qk" height="1" width="1"/&gt;</description><pubDate>Fri, 27 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/27/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Vanilla%20Ice%20Two__fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Vanilla%20Ice%20Two__onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Vanilla%20Ice%20Two__threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/27/</feedburner:origLink></item><item><title>The Oscars: Best Song and Score Nominees
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/9jDTgt4rvpg/</link><description>&lt;p&gt;The nominees for the Academy Awards were announced earlier this week. Today: Hear the picks for best song and score – including music from The Artist, The Muppets, and War Horse. And, get the dirt on the film soundtracks that didn’t get an Academy nod. Plus: Three new albums to check out this week. And: A live performance from soprano &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Danielle+de+Niese"&gt;Danielle de Niese&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=9jDTgt4rvpg:65azJXGBvoY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=9jDTgt4rvpg:65azJXGBvoY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=9jDTgt4rvpg:65azJXGBvoY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/9jDTgt4rvpg" height="1" width="1"/&gt;</description><pubDate>Thu, 26 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/26/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/oscarEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/oscarEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/oscarEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/26/</feedburner:origLink></item><item><title>Remembering Etta 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/OVhLBmNqkwA/</link><description>&lt;p&gt;R&amp;amp;B singer Etta James passed away last week – leaving behind a legacy of soulful classics and modern-day blues protégés. Today: The story of the larger-than-life woman behind hits like “At Last” and “I’d Rather Go Blind.” Plus: Philadelphia rock band &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Dr.+Dog"&gt;Dr. Dog&lt;/a&gt; previews its brand new album live in studio.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OVhLBmNqkwA:jNtMvMIy5Q4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OVhLBmNqkwA:jNtMvMIy5Q4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OVhLBmNqkwA:jNtMvMIy5Q4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/OVhLBmNqkwA" height="1" width="1"/&gt;</description><pubDate>Wed, 25 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/25/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/love%20songsEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/love%20songsEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/love%20songsEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/25/</feedburner:origLink></item><item><title>Karaoke Queen
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/g4MpV4MxjFc/</link><description>&lt;p&gt;Adele’s single “Someone Like You” is  up for a Grammy next month – but it’s already won the title of “most performed  karaoke song.” Today: A dispatch from the karaoke front – where,  according to a recent survey, one in four amateur singers belted out the chart-topping ballad last year. Plus: A live performance from a group that’s taken on everything from Dixieland jazz to Baroque classics: the &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Canadian+Brass"&gt;Canadian Brass&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=g4MpV4MxjFc:o6m0pBxN8DM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=g4MpV4MxjFc:o6m0pBxN8DM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=g4MpV4MxjFc:o6m0pBxN8DM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/g4MpV4MxjFc" height="1" width="1"/&gt;</description><pubDate>Tue, 24 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/24/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/someone%20like%20youEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/someone%20like%20youEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/someone%20like%20youEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/24/</feedburner:origLink></item><item><title>Copyright Makes Headlines
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/IeiQhHO6-mY/</link><description>&lt;p&gt;Copyright has dominated the headlines lately, from the widely protested SOPA and PIPA anti-piracy bills to the dramatic FBI shutdown of website Megaupload. Today: Recent intellectual property stories, explained in understandable terms. Plus, a live performance from rock trio &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Nada+Surf"&gt;Nada Surf&lt;/a&gt;. And, we introduce our new series: Supercollectors.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=IeiQhHO6-mY:MbrQnqgBHuQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=IeiQhHO6-mY:MbrQnqgBHuQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=IeiQhHO6-mY:MbrQnqgBHuQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/IeiQhHO6-mY" height="1" width="1"/&gt;</description><pubDate>Mon, 23 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/23/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/VBDR_Ua1s1g/soundcheck012312.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/800px-Wikipedia_Blackout_Screen_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/800px-Wikipedia_Blackout_Screen_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/800px-Wikipedia_Blackout_Screen_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> Copyright has dominated the headlines lately, from the widely protested SOPA and PIPA anti-piracy bills to the dramatic FBI shutdown of website Megaupload. Today: Recent intellectual property stories, explained in understandable terms. Plus, a live perfo</itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> Copyright has dominated the headlines lately, from the widely protested SOPA and PIPA anti-piracy bills to the dramatic FBI shutdown of website Megaupload. Today: Recent intellectual property stories, explained in understandable terms. Plus, a live performance from rock trio Nada Surf. And, we introduce our new series: Supercollectors. </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/23/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/VBDR_Ua1s1g/soundcheck012312.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck012312.mp3</feedburner:origEnclosureLink></item><item><title>Circus Music: Then and Now 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/ToHZa02zQQk/</link><description>&lt;p&gt;This week, the International Circus Festival of Monte-Carlo will award the Clown d'Or (“Golden Clown”) and other awards for circus performers. We look at the rich history of carnival music and John Schaefer will breathe fire. (&lt;em&gt;Note: Fire-breathing not confirmed at press time&lt;/em&gt;.) Plus, singer and songwriter &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Liam+Finn"&gt;Liam Finn&lt;/a&gt; takes a break from a residency at Brooklyn's Rock Shop to play live in our studio.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ToHZa02zQQk:V-RsocIuuMI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ToHZa02zQQk:V-RsocIuuMI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ToHZa02zQQk:V-RsocIuuMI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/ToHZa02zQQk" height="1" width="1"/&gt;</description><pubDate>Fri, 20 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/20/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lydie%20FabreEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lydie%20FabreEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lydie%20FabreEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/20/</feedburner:origLink></item><item><title>Scoring Downton Abbey
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/k4ZlskFylZ0/</link><description>&lt;p&gt;Last weekend, British period drama Downton Abbey earned a Golden Globe for best television mini-series. Viewers have responded to the World War I-era costumes, the characters, and – the music. Today: composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=John+Lunn"&gt;John Lunn&lt;/a&gt; discusses scoring the popular soap opera. Plus: The French electronic duo &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=AIR"&gt;AIR&lt;/a&gt; talks about their new record -- inspired by the classic silent film &lt;em&gt;Le Voyage Dans La Lune.&lt;/em&gt; And: a trio of new releases in our Pick Three feature.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=k4ZlskFylZ0:Te28vF2oq8Q:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=k4ZlskFylZ0:Te28vF2oq8Q:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=k4ZlskFylZ0:Te28vF2oq8Q:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/k4ZlskFylZ0" height="1" width="1"/&gt;</description><pubDate>Thu, 19 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/19/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/DowntonSeason2Cast_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/DowntonSeason2Cast_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/DowntonSeason2Cast_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/19/</feedburner:origLink></item><item><title>The Camp at Terezín
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/RbjoyJ9k9f8/</link><description>&lt;p&gt;During World War II, the transition camp at Terezín was a vital, creative haven for Jewish artists of all kinds. At least, that’s the story the Nazis told to the world.  The reality was far darker.  On this special edition of Soundcheck, we hear a survivor’s memories of the so-called “art camp” – which really did produce some enduring music and art. And &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=The+Nash+Ensemble"&gt;The Nash Ensemble&lt;/a&gt;&lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n="&gt;&lt;/a&gt; from England will play some of the music created in the camp at Terezín.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=RbjoyJ9k9f8:24gF13L2yKw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=RbjoyJ9k9f8:24gF13L2yKw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=RbjoyJ9k9f8:24gF13L2yKw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/RbjoyJ9k9f8" height="1" width="1"/&gt;</description><pubDate>Wed, 18 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/18/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Drawing%20of%20%20performance%20at%20Terezin%20EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Drawing%20of%20%20performance%20at%20Terezin%20EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Drawing%20of%20%20performance%20at%20Terezin%20EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/18/</feedburner:origLink></item><item><title>Live in the Greene Space 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/0l1q9TPPMGE/</link><description>&lt;p&gt;Today, Soundcheck heads to the Greene Space to showcase two very different takes on American popular song. Tony Award winner and television actor &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Audra+McDonald"&gt;Audra McDonald&lt;/a&gt; takes the stage with her “Porgy and Bess” co-star &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Norm+Lewis"&gt;Norm Lewis&lt;/a&gt; to discuss her return to Broadway - and to perform favorites from the newly reworked American opera. Plus: Brooklyn-based singer-songwriter &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Sharon+Van+Etten"&gt;Sharon Van Etten&lt;/a&gt; gives us a sneak preview of songs from her upcoming record, &lt;em&gt;Tramp&lt;/em&gt;.&lt;/p&gt; &lt;p&gt;
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&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0l1q9TPPMGE:ydSb60grTOk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0l1q9TPPMGE:ydSb60grTOk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0l1q9TPPMGE:ydSb60grTOk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/0l1q9TPPMGE" height="1" width="1"/&gt;</description><pubDate>Tue, 17 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/17/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/TOUT_PB%20Broadway%20Lutch%20December%2016%2C%202011_16_long_imageEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/TOUT_PB%20Broadway%20Lutch%20December%2016%2C%202011_16_long_imageEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/TOUT_PB%20Broadway%20Lutch%20December%2016%2C%202011_16_long_imageEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/17/</feedburner:origLink></item><item><title>Music, Race and the Obama Era
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/QFW7G_J1fNs/</link><description>&lt;p&gt;To mark the Martin Luther King, Jr. holiday, this special encore edition focuses on African-American history and the ever-evolving role of race in America.&lt;/p&gt;
&lt;p&gt;In the process of writing his new book &lt;em&gt;Who's Afraid of Post-Blackness?&lt;/em&gt;, &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Tour%C3%A9"&gt;Touré&lt;/a&gt; asked dozens of thinkers, artists and musicians what it means to be black right now. He tells us what he learned. Plus: the remarkable story of &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Lee+Anthony"&gt;Lee Anthony&lt;/a&gt; and True Soul Records -- the first black-owned record store in Little Rock, Arkansas. And: a song from soul singer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Charles+Bradley"&gt;Charles Bradley&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is an encore edition of Soundcheck.&lt;/em&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=QFW7G_J1fNs:SEIZ5WOgcG0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=QFW7G_J1fNs:SEIZ5WOgcG0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=QFW7G_J1fNs:SEIZ5WOgcG0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/QFW7G_J1fNs" height="1" width="1"/&gt;</description><pubDate>Mon, 16 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/16/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20mlk_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20mlk_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20mlk_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/16/</feedburner:origLink></item><item><title>Lenny Kravitz on Black and White America
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/TIoNKxiMtBo/</link><description>&lt;p&gt;Today on the show: Grammy winner &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Lenny+Kravitz"&gt;Lenny Kravitz&lt;/a&gt; discusses racism in the Obama era, addressed in the title track of his latest album, “Black and White America." And: a baroque opera collective brings us their take on the most popular opera of the 17th century.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is an encore edition of Soundcheck.&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TIoNKxiMtBo:gWHA-cVDHhE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TIoNKxiMtBo:gWHA-cVDHhE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TIoNKxiMtBo:gWHA-cVDHhE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/TIoNKxiMtBo" height="1" width="1"/&gt;</description><pubDate>Fri, 13 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/13/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mathieu%20bitton%201_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mathieu%20bitton%201_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mathieu%20bitton%201_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/13/</feedburner:origLink></item><item><title>Oh Baby, Baby, Baby
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/-s3Sm6M6-Gw/</link><description>&lt;p&gt;It’s baby’s first playlist. Thanks to portable music players like the iPod, it’s easier than ever to create a soundtrack for childbirth. Today: music for labor and delivery. Plus: A live performance from jazz bassist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Ben+Allison"&gt;Ben Allison&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=-s3Sm6M6-Gw:9kVLtSmEM4w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=-s3Sm6M6-Gw:9kVLtSmEM4w:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=-s3Sm6M6-Gw:9kVLtSmEM4w:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/-s3Sm6M6-Gw" height="1" width="1"/&gt;</description><pubDate>Thu, 12 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/12/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/babies%20flickrEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/babies%20flickrEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/babies%20flickrEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/12/</feedburner:origLink></item><item><title>Crying Songs
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/zpUstKzchvQ/</link><description>&lt;p&gt;Music elicits all kinds of emotional responses -- including those that make us cry. Today, grab a tissue, and tune in to hear why some music can draw tears, and why some people seek out music that's mournful. Plus, a live performance from &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=The+War+on+Drugs"&gt;The War on Drugs&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zpUstKzchvQ:b22TEYAi1Es:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zpUstKzchvQ:b22TEYAi1Es:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zpUstKzchvQ:b22TEYAi1Es:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/zpUstKzchvQ" height="1" width="1"/&gt;</description><pubDate>Wed, 11 Jan 2012 00:00:00 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/11/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20image%20maren.rockt_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20image%20maren.rockt_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/flickr%20image%20maren.rockt_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/11/</feedburner:origLink></item><item><title>FCC v. Fox
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/su4gT5CHoGU/</link><description>&lt;p&gt;For more than 30 years, broadcasters have paid the price for things like wardrobe malfunctions and the seven dirty words. Now, a case before the Supreme Court could have a major impact on profanity during primetime. Today: the story behind FCC v. Fox Television Stations. Plus, a live performance from banjo player &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jayme+Stone"&gt;Jayme Stone&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=su4gT5CHoGU:_q-IpdXN5Vk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=su4gT5CHoGU:_q-IpdXN5Vk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=su4gT5CHoGU:_q-IpdXN5Vk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/su4gT5CHoGU" height="1" width="1"/&gt;</description><pubDate>Tue, 10 Jan 2012 08:43:31 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/10/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/dontspeak_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/dontspeak_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/dontspeak_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/10/</feedburner:origLink></item><item><title>Tattoo You
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/TsE8I4dxImo/</link><description>&lt;p&gt;Today, we explore the world of music tattoos – from band names to bass clefs. Plus, the Norah Jones-led country cover band, &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=The+Little+Willies"&gt;The Little Willies&lt;/a&gt;, stops by to talk about their new album and to play live.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TsE8I4dxImo:s3yv16pijt4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TsE8I4dxImo:s3yv16pijt4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=TsE8I4dxImo:s3yv16pijt4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/TsE8I4dxImo" height="1" width="1"/&gt;</description><pubDate>Mon, 09 Jan 2012 17:19:27 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/09/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/rolling%20stones%20tatEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/rolling%20stones%20tatEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/rolling%20stones%20tatEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/09/</feedburner:origLink></item><item><title>Sweatin' to the (Real) Oldies
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/3VBFOtcOq8E/</link><description>&lt;p&gt;Richard Simmons began Sweatin’ to the Oldies in 1988 – but exercise-oriented albums go back as far as the roaring ‘20s. Today in our &lt;strong&gt;&lt;a href="http://www.wnyc.org/shows/soundcheck/clusters/2012/jan/03/lets-get-physical/"&gt;Let's Get Physical&lt;/a&gt;&lt;/strong&gt; series: Exploring the popular weight-loss phonograph records of yore. Plus: A live performance from the &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Silk+Road+Ensemble"&gt;Silk Road Ensemble&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=3VBFOtcOq8E:CTIqmEpujJY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=3VBFOtcOq8E:CTIqmEpujJY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=3VBFOtcOq8E:CTIqmEpujJY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/3VBFOtcOq8E" height="1" width="1"/&gt;</description><pubDate>Fri, 06 Jan 2012 08:14:55 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/06/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/richard%20simmonsEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/richard%20simmonsEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/richard%20simmonsEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/06/</feedburner:origLink></item><item><title>A Knockout Music Lesson
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/0sf5II8_ENg/</link><description>&lt;p&gt;Many musicians have paid tribute to boxing in song. Now, at the Eastman School of Music, boxing is part of one professor's lesson plan. Today, our &lt;strong&gt;&lt;a href="http://www.wnyc.org/shows/soundcheck/clusters/2012/jan/03/lets-get-physical/"&gt;Let’s Get Physical Series&lt;/a&gt;&lt;/strong&gt; continues with a look at music students…who step into the ring. Plus, three great songs about boxing in our Pick Three: Boxing Edition. And, a live performance from jazz drummer and pianist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jack+DeJohnette"&gt;Jack DeJohnette&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0sf5II8_ENg:lhQYWV3UQdw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0sf5II8_ENg:lhQYWV3UQdw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=0sf5II8_ENg:lhQYWV3UQdw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/0sf5II8_ENg" height="1" width="1"/&gt;</description><pubDate>Thu, 05 Jan 2012 14:46:04 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/05/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/EastmanStudentsEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/EastmanStudentsEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/EastmanStudentsEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/05/</feedburner:origLink></item><item><title>Fit for the Fiddle
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/GxaiP-Zh-EA/</link><description>&lt;p&gt;Just like athletes, musicians also suffer from performance injuries. Today, as our &lt;strong&gt;&lt;a href="http://www.wnyc.org/shows/soundcheck/clusters/2012/jan/03/lets-get-physical/"&gt;Let's Get Physical&lt;/a&gt;&lt;/strong&gt; series continues, Juilliard’s director of physical therapy joins us for a discussion of the treatment - and prevention - of performing arts injuries. Plus: Youssou N'Dour's bid for the Senegalese presidency. Later: Bang on a Can co-founder &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=David+Lang"&gt;David Lang&lt;/a&gt; joins us to talk about the past, present and future of the organization as it celebrates 25 years of marathons.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=GxaiP-Zh-EA:wnGywiLp0jI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=GxaiP-Zh-EA:wnGywiLp0jI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=GxaiP-Zh-EA:wnGywiLp0jI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/GxaiP-Zh-EA" height="1" width="1"/&gt;</description><pubDate>Wed, 04 Jan 2012 10:55:55 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/04/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/violinist%20PAPYRARRI_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/violinist%20PAPYRARRI_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/violinist%20PAPYRARRI_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/04/</feedburner:origLink></item><item><title>Let's Get Physical!
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/4bQzGH8xXJQ/</link><description>&lt;p&gt;It’s the start of a new year! Which means New Years resolutions. Which means…getting in shape. Let Soundcheck help, with our &lt;a href="http://www.wnyc.org/shows/soundcheck/clusters/2012/jan/03/lets-get-physical/"&gt;Let’s Get Physical&lt;/a&gt; series! Today, a sport psychologist explains how the right soundtrack can really pump up a workout. Plus, &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Carrie+Brownstein"&gt;Carrie Brownstein&lt;/a&gt; returns to our studio, to tell us about the new season of her IFC show, &lt;em&gt;Portlandia&lt;/em&gt;.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Listeners: &lt;/strong&gt;&lt;em&gt;What music motivates you to exercise? Is there any music you avoid while working out? Or, do you have a question for Dr. Karageorghis? Leave a comment &lt;a href="http://www.wnyc.org/shows/soundcheck/2012/jan/03/lets-get-physical-bpm-and-biorhythm/"&gt;here&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4bQzGH8xXJQ:ZaTnAnXw0yY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4bQzGH8xXJQ:ZaTnAnXw0yY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4bQzGH8xXJQ:ZaTnAnXw0yY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/4bQzGH8xXJQ" height="1" width="1"/&gt;</description><pubDate>Tue, 03 Jan 2012 09:50:11 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/03/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/extreme%20workout%20jams_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/extreme%20workout%20jams_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/extreme%20workout%20jams_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/03/</feedburner:origLink></item><item><title>Smackdown: Battle of the Actors 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/1rzqhcrJibI/</link><description>&lt;p&gt;Jeff Bridges and Tim Robbins have both released debut solo  albums. But, some critics think these Oscar winners should keep their  day jobs. Today, we throw both actor-albums into the ring for a  Smackdown.  Plus: a performance from &lt;a href="http://www.wnyc.org/../../../../people/r/?n=Steven+Wilson"&gt;Steven Wilson&lt;/a&gt;, founder of progressive rock band Porcupine Tree.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is a repeat edition of Soundcheck&lt;/em&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=1rzqhcrJibI:xC1lYhfAULE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=1rzqhcrJibI:xC1lYhfAULE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=1rzqhcrJibI:xC1lYhfAULE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/1rzqhcrJibI" height="1" width="1"/&gt;</description><pubDate>Mon, 02 Jan 2012 14:45:04 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2012/jan/02/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/jeffandtim_fiftyfive_square.png" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/jeffandtim_onethirty_square.png" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/jeffandtim_threehundred_square.png" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2012/jan/02/</feedburner:origLink></item><item><title>Best Live Performances of 2011
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/4phqpDhQ_CU/</link><description>&lt;p&gt;All this week, Soundcheck has shared some of the year's most memorable live in-studio performances. On this final day of the series, a listen back to highlights from British pop star Adele, R&amp;amp;B singer Anthony Hamilton, the Kronos Quartet and more.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;VIDEO: You can watch many of the sessions from the "Best Live Performances" series on the &lt;a href="http://culture.wnyc.org/articles/features/2011/dec/26/best-soundcheck-2011-video-edition/" target="_blank"&gt;WNYC Culture page&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4phqpDhQ_CU:OzPqdMR6QGQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4phqpDhQ_CU:OzPqdMR6QGQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=4phqpDhQ_CU:OzPqdMR6QGQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/4phqpDhQ_CU" height="1" width="1"/&gt;</description><pubDate>Fri, 30 Dec 2011 15:08:21 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/30/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Screen%20shot%202011-02-10%20at%205.32.40%20PM_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Screen%20shot%202011-02-10%20at%205.32.40%20PM_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Screen%20shot%202011-02-10%20at%205.32.40%20PM_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/30/</feedburner:origLink></item><item><title>Best Live Performances of 2011
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/xwvjV_TmoPM/</link><description>&lt;p&gt;Soundcheck continues its look back at some of this year's most memorable live in-studio performances. Today, music from sets by dubstep musician James Blake, Guatemalan singer Gaby Moreno, alt-country artist Ryan Adams, and more.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=xwvjV_TmoPM:1je5KY9LGcg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=xwvjV_TmoPM:1je5KY9LGcg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=xwvjV_TmoPM:1je5KY9LGcg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/xwvjV_TmoPM" height="1" width="1"/&gt;</description><pubDate>Thu, 29 Dec 2011 15:03:10 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/29/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Ryan%20Adams_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Ryan%20Adams_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Ryan%20Adams_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/29/</feedburner:origLink></item><item><title>Best Live Performances of 2011
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/FJIX10fGVr0/</link><description>&lt;p&gt;Soundcheck continues to highlight some of this year's most memorable live in-studio performances. Today, music from sets by Randy Newman, Antarctica enthusiast DJ Spooky, indie rock band The Mountain Goats, and more.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=FJIX10fGVr0:bwPoutjy9lM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=FJIX10fGVr0:bwPoutjy9lM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=FJIX10fGVr0:bwPoutjy9lM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/FJIX10fGVr0" height="1" width="1"/&gt;</description><pubDate>Wed, 28 Dec 2011 08:46:44 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/28/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Spooky%20Credit%20Mike%20Figgis%20_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Spooky%20Credit%20Mike%20Figgis%20_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Spooky%20Credit%20Mike%20Figgis%20_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/28/</feedburner:origLink></item><item><title>Best Live Performances of 2011
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/PmBmLbpd2B8/</link><description>&lt;p&gt;With more than 200 live performances in 2011, Soundcheck captured a lot  of great music in our studio this year. Today, Soundcheck continues to highlight some  of the year's most memorable sets with songs from jazz bassist Ron Carter, Yeah Yeah Yeahs frontwoman Karen O, comedian and banjo player Steve Martin, and more.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=PmBmLbpd2B8:hWA0i0cr3Js:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=PmBmLbpd2B8:hWA0i0cr3Js:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=PmBmLbpd2B8:hWA0i0cr3Js:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/PmBmLbpd2B8" height="1" width="1"/&gt;</description><pubDate>Tue, 27 Dec 2011 12:29:29 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/27/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Steve%20Martin3EDIT2_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Steve%20Martin3EDIT2_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Steve%20Martin3EDIT2_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/27/</feedburner:origLink></item><item><title>Best Live Performances of 2011
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/Ugc5nDYV05M/</link><description>&lt;p&gt;With more than 200 live performances in 2011, Soundcheck captured a lot of great music in our studio this year. All this week, we highlight some of the year's most memorable sets. Today, Soundcheck kicks off its  annual review with songs from indie pop artist St. Vincent, jazz collaboration James Farm, California trio Foster the People, and more.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ugc5nDYV05M:01eFXrBZZts:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ugc5nDYV05M:01eFXrBZZts:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Ugc5nDYV05M:01eFXrBZZts:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/Ugc5nDYV05M" height="1" width="1"/&gt;</description><pubDate>Mon, 26 Dec 2011 12:29:14 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/26/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/StVincent_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/StVincent_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/StVincent_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/26/</feedburner:origLink></item><item><title>Critics Week 2011: Jon Pareles 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/dlZIH7VA9n0/</link><description>&lt;p&gt;Today: Our look back at the best of 2011 concludes with pop music critic &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jon+Pareles"&gt;Jon Pareles&lt;/a&gt; of The New York Times. Plus: Soundcheck's staff chooses their favorite albums of the year. And: We head into the holidays on a Scrooge-like note with this question: What was the WORST music of the year? We take your calls.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=dlZIH7VA9n0:6crGvk2hIag:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=dlZIH7VA9n0:6crGvk2hIag:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=dlZIH7VA9n0:6crGvk2hIag:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/dlZIH7VA9n0" height="1" width="1"/&gt;</description><pubDate>Fri, 23 Dec 2011 15:31:05 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/23/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/feistEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/feistEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/feistEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/23/</feedburner:origLink></item><item><title>Critics Week 2011: Siddhartha Mitter
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/SA8RcKE1X5I/</link><description>&lt;p&gt;A revolutionary anthem from Tunisia becomes a song of the year. Today: Critics Week continues with a look back at 2011’s best music from around the globe with freelance arts journalist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Siddhartha+Mitter"&gt;Siddhartha Mitter&lt;/a&gt;. Plus, highlights from the past twelve months in dance. And: A live performance from singer-songwriter and comic book artist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jeffrey+Lewis"&gt;Jeffrey Lewis&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=SA8RcKE1X5I:qENPPtlwRbY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=SA8RcKE1X5I:qENPPtlwRbY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=SA8RcKE1X5I:qENPPtlwRbY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/SA8RcKE1X5I" height="1" width="1"/&gt;</description><pubDate>Thu, 22 Dec 2011 13:19:03 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/22/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mitter-headshotEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mitter-headshotEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/mitter-headshotEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/22/</feedburner:origLink></item><item><title>Critics Week 2011: Latin &amp; Theater
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/ThiXzvhHwV4/</link><description>&lt;p&gt;Critics Week 2011 continues with a look back at the year in Latin music – from  the loss of Cape Verdean singer Cesaria Evora...to J. Lo’s comeback…to the  explosion of Chile’s indie pop scene. Plus, we hear about the year in Broadway and theater. And, a live performance from R&amp;amp;B singer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Anthony+Hamilton"&gt;Anthony Hamilton&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ThiXzvhHwV4:nvjyRcnbSpY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ThiXzvhHwV4:nvjyRcnbSpY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ThiXzvhHwV4:nvjyRcnbSpY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/ThiXzvhHwV4" height="1" width="1"/&gt;</description><pubDate>Wed, 21 Dec 2011 17:51:22 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/21/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Cesaria%20Evora_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Cesaria%20Evora_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Cesaria%20Evora_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/21/</feedburner:origLink></item><item><title>Critics Week 2011: Steve Smith 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/sRvTOhu2Ue4/</link><description>&lt;p&gt;As the year draws to a close, we’re asking a trusty team of critics to share their musical favorites of 2011 – no genres barred. Today, Time Out New York music editor &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Steve+Smith"&gt;Steve Smith&lt;/a&gt; shares his top ten picks, from a new Julliard-performed opera to an abrasive and avant-garde hip hop crew. Plus: A look at the year in music gadgets and technology. And: A live holiday performance from violinist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Mark+O%27Connor"&gt;Mark O'Connor&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sRvTOhu2Ue4:Ra6hWr7q61w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sRvTOhu2Ue4:Ra6hWr7q61w:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sRvTOhu2Ue4:Ra6hWr7q61w:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/sRvTOhu2Ue4" height="1" width="1"/&gt;</description><pubDate>Tue, 20 Dec 2011 15:36:13 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/20/</guid><media:content url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/pQUXhrX02L4/soundcheck122011.mp3" type="audio/mpeg" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/steve%20smithEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/steve%20smithEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/steve%20smithEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle> As the year draws to a close, we’re asking a trusty team of critics to share their musical favorites of 2011 – no genres barred. Today, Time Out New York music editor Steve Smith shares his top ten picks, from a new Julliard-performed opera to an abrasiv</itunes:subtitle><itunes:author>WNYC, New York Public Radio</itunes:author><itunes:summary> As the year draws to a close, we’re asking a trusty team of critics to share their musical favorites of 2011 – no genres barred. Today, Time Out New York music editor Steve Smith shares his top ten picks, from a new Julliard-performed opera to an abrasive and avant-garde hip hop crew. Plus: A look at the year in music gadgets and technology. And: A live holiday performance from violinist Mark O'Connor. </itunes:summary><itunes:keywords>wnyc,new,york,public,radio,NPR,soundcheck,music,art,technology,jon,shafer,scheffer,shaefer</itunes:keywords><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/20/</feedburner:origLink><enclosure url="http://feeds.wnyc.org/~r/wnyc_soundcheck/~5/pQUXhrX02L4/soundcheck122011.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/soundcheck/soundcheck122011.mp3</feedburner:origEnclosureLink></item><item><title>Critics Week 2011: Touré
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/fvBLEUNLS04/</link><description>&lt;p&gt;This week on Soundcheck, a look back at 2011’s best music, technology, dance and more. Kicking off the series today: music journalist and critic &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Tour%C3%A9"&gt;Touré&lt;/a&gt; shares his top ten list, which includes an emerging female rapper, a book about a cultural phenomenon and a hit movie soundtrack. Plus: A live performance from the songwriter and composer behind hits like "By the Time I Get to Phoenix" and "Wichita Lineman," &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jimmy+Webb"&gt;Jimmy Webb&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=fvBLEUNLS04:Kd7GEk6K2QI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=fvBLEUNLS04:Kd7GEk6K2QI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=fvBLEUNLS04:Kd7GEk6K2QI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/fvBLEUNLS04" height="1" width="1"/&gt;</description><pubDate>Mon, 19 Dec 2011 10:51:19 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/19/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Toure_Jonathan%20Mannion_fiftyfive_square.JPG" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Toure_Jonathan%20Mannion_onethirty_square.JPG" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Toure_Jonathan%20Mannion_threehundred_square.JPG" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/19/</feedburner:origLink></item><item><title>Singing in Fictional Tongues 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/HMuAuv2wm5M/</link><description>&lt;p&gt;Musicians from Irish singer Enya to the Icelandic band Sigur Ros have passed over the world's more than 6000 languages in favor of one of their own making. Today: The origins and meanings of constructed languages in song. Plus: A live performance from the bedroom recording project that became a big band - &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Beirut"&gt;Beirut&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=HMuAuv2wm5M:cM1y_rkLMSE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=HMuAuv2wm5M:cM1y_rkLMSE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=HMuAuv2wm5M:cM1y_rkLMSE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/HMuAuv2wm5M" height="1" width="1"/&gt;</description><pubDate>Fri, 16 Dec 2011 11:05:26 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/16/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/sigur%20ros%20setlistEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/sigur%20ros%20setlistEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/sigur%20ros%20setlistEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/16/</feedburner:origLink></item><item><title>Thirty Years of John
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/sfQw5yApYCY/</link><description>&lt;p&gt;Hear highlights from "JS:30," a Greene Space concert celebrating John Schaefer's 30 years on the air at WNYC. Guests include singer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Angelique+Kidjo"&gt;Angelique Kidjo&lt;/a&gt;, musician &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Laurie+Anderson"&gt;Laurie Anderson&lt;/a&gt;, composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Steve+Reich"&gt;Steve Reich&lt;/a&gt; and others. Plus: a roast in John's honor.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sfQw5yApYCY:mEJbGQTjljs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sfQw5yApYCY:mEJbGQTjljs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=sfQw5yApYCY:mEJbGQTjljs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/sfQw5yApYCY" height="1" width="1"/&gt;</description><pubDate>Thu, 15 Dec 2011 11:59:08 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/15/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/schaefer_seated2_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/schaefer_seated2_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/schaefer_seated2_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/15/</feedburner:origLink></item><item><title>Matisyahu: "No More Chassidic Reggae Superstar"
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/zqlPMYU3bAY/</link><description>&lt;p&gt;&lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Matisyahu"&gt;Matisyahu&lt;/a&gt; rose to fame with his 2004 hit “King Without a Crown.” But yesterday, the Chassidic Jewish rapper released a beardless photo, and a statement saying “I am reclaiming myself.” Today: The reggae artist speaks about his new look, his upcoming Festival of Light performances, and his new "Miracle" EP. &lt;/p&gt;
&lt;p&gt;Plus: A newly released collection of mid-twentieth-century pop called "Songs for the Jewish-American Jet Set: The Tikva Records Story 1950-1973.” And: a live performance from the Detroit rock band &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Dale+Earnhardt+Jr.+Jr."&gt;Dale Earnhardt Jr. Jr.&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zqlPMYU3bAY:q9TvcHG7AuA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zqlPMYU3bAY:q9TvcHG7AuA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=zqlPMYU3bAY:q9TvcHG7AuA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/zqlPMYU3bAY" height="1" width="1"/&gt;</description><pubDate>Wed, 14 Dec 2011 11:23:54 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/14/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/matis%20no%20beardEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/matis%20no%20beardEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/matis%20no%20beardEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/14/</feedburner:origLink></item><item><title>X Factor: Stacking Up
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/Xtgptl_lcaQ/</link><description>&lt;p&gt;Simon Cowell’s reality competition, “X Factor,” wraps up its inaugural season here in the U.S. next week. We’ll assess how the show – and its singing contestants – stack up to “American Idol.” Plus: A live performance from English folksinger &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Laura+Marling"&gt;Laura Marling&lt;/a&gt;. And, three must-hear new releases in our Pick Three series.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Xtgptl_lcaQ:PJ5b1wnBtMM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Xtgptl_lcaQ:PJ5b1wnBtMM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=Xtgptl_lcaQ:PJ5b1wnBtMM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/Xtgptl_lcaQ" height="1" width="1"/&gt;</description><pubDate>Tue, 13 Dec 2011 17:13:24 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/13/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Simon_Cowell__fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Simon_Cowell__onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Simon_Cowell__threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/13/</feedburner:origLink></item><item><title>Disco In the 21st Century 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/YT5NGD8fg6c/</link><description>&lt;p&gt;Last week, the Rock and Roll Hall of Fame announced its 2012 inductees – and disco queen Donna Summer didn’t make the cut. Today: Modern-day perceptions of the controversial ‘70s dance music craze. Plus: Jazz bassist &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Christian+McBride"&gt;Christian McBride&lt;/a&gt; joins us in the studio for a live performance.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=YT5NGD8fg6c:HCOaKT3Avik:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=YT5NGD8fg6c:HCOaKT3Avik:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=YT5NGD8fg6c:HCOaKT3Avik:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/YT5NGD8fg6c" height="1" width="1"/&gt;</description><pubDate>Mon, 12 Dec 2011 16:58:18 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/12/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/donna%20summerEDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/donna%20summerEDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/donna%20summerEDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/12/</feedburner:origLink></item><item><title>Five Mean Years of The Doors 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/u8nPGFKENqU/</link><description>&lt;p&gt;In their five years as a band, The Doors made a deep impression on rock ‘n’ roll. Today: Music critic and cultural historian &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Greil+Marcus"&gt;Greil Marcus&lt;/a&gt; discusses his new book about today’s relevancy of the short-lived, yet explosive band. Plus: A live performance from blues-rock band &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Blitzen+Trapper"&gt;Blitzen Trapper&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=u8nPGFKENqU:mpiPs3YWMas:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=u8nPGFKENqU:mpiPs3YWMas:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=u8nPGFKENqU:mpiPs3YWMas:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/u8nPGFKENqU" height="1" width="1"/&gt;</description><pubDate>Fri, 09 Dec 2011 16:46:50 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/09/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Doors_electra_publicity_photoEDIT_fiftyfive_square.JPG" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Doors_electra_publicity_photoEDIT_onethirty_square.JPG" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Doors_electra_publicity_photoEDIT_threehundred_square.JPG" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/09/</feedburner:origLink></item><item><title>Rock's New Hall of Famers
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/bSseng2pAuo/</link><description>&lt;p&gt;For an aging artist, induction into The Rock and Roll Hall of Fame is more than a place on the museum’s wall. Today: the big rewards for newly announced hall of famers... from record sales to reunion tours. Plus, alt folk group &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=The+Barr+Brothers"&gt;The Barr Brothers&lt;/a&gt; performs live.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bSseng2pAuo:7qC2Ab8G9IE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bSseng2pAuo:7qC2Ab8G9IE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=bSseng2pAuo:7qC2Ab8G9IE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/bSseng2pAuo" height="1" width="1"/&gt;</description><pubDate>Thu, 08 Dec 2011 13:45:52 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/08/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/450px-W._Axl_Rose%2C_Guns_n%C2%B4Roses_Poliedro_de_Caracas_27_de_Marzo_2010_2_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/450px-W._Axl_Rose%2C_Guns_n%C2%B4Roses_Poliedro_de_Caracas_27_de_Marzo_2010_2_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/450px-W._Axl_Rose%2C_Guns_n%C2%B4Roses_Poliedro_de_Caracas_27_de_Marzo_2010_2_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/08/</feedburner:origLink></item><item><title>Little Drummer Boy Challenge
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/OsVE4jmKDGY/</link><description>&lt;p&gt;Rum-pum-pum…RUN! We find out why hoardes of people are avoiding the familiar chorus of The Little Drummer Boy this holiday season. Plus: A live performance of jazz saxophonist John Ellis’s latest work, which chronicles the epic odyssey… of a garbage barge. And: Pick Three, our holiday edition.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OsVE4jmKDGY:QU3iiZ2KHSM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OsVE4jmKDGY:QU3iiZ2KHSM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=OsVE4jmKDGY:QU3iiZ2KHSM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/OsVE4jmKDGY" height="1" width="1"/&gt;</description><pubDate>Wed, 07 Dec 2011 11:55:44 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/07/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Little%20Drummer%20Boy%20Flickr%20Album%20EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Little%20Drummer%20Boy%20Flickr%20Album%20EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Little%20Drummer%20Boy%20Flickr%20Album%20EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/07/</feedburner:origLink></item><item><title>The Life and Death of the Live Album 
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/R1QLxgn-L9E/</link><description>&lt;p&gt;They used to be a dependable  moneymaker for rock stars and record labels alike – but the live album seems to  have gone the way of the 8-track. Today: the past, present and future of the live concert album. Plus: An update about the New York City Opera’s labor dispute. And: a visit from mezzo-soprano &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Stephanie+Blythe"&gt;Stephanie Blythe&lt;/a&gt;, who’s currently singing in the Metropolitan Opera’s production of Rodelinda.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=R1QLxgn-L9E:sc_uNG0qF3w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=R1QLxgn-L9E:sc_uNG0qF3w:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=R1QLxgn-L9E:sc_uNG0qF3w:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/R1QLxgn-L9E" height="1" width="1"/&gt;</description><pubDate>Tue, 06 Dec 2011 09:59:22 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/06/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/live%20dead%20EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/live%20dead%20EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/live%20dead%20EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/06/</feedburner:origLink></item><item><title>Guitars and Goosebumps
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/NRr5EJA3zqA/</link><description>&lt;p&gt;The temperature may be dropping...but the goosebumps you get from listening to music have &lt;em&gt;nothing&lt;/em&gt; to do with the weather. Today: the science behind chills and thrills from music. And, we ask you to share songs that give you shivers. Plus, a live performance from singer and songwriter &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Jessie+Baylin"&gt;Jessie Baylin&lt;/a&gt;, and her band.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Listeners: &lt;/strong&gt;&lt;em&gt;Does music give you goosebumps or chills? We want to hear from you! Tell us about it &lt;a href="http://www.wnyc.org/shows/soundcheck/2011/dec/05/musical-chills-and-thrills/"&gt;here&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=NRr5EJA3zqA:5s7s5TV1468:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=NRr5EJA3zqA:5s7s5TV1468:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=NRr5EJA3zqA:5s7s5TV1468:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/NRr5EJA3zqA" height="1" width="1"/&gt;</description><pubDate>Mon, 05 Dec 2011 15:46:08 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/05/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/listening%20abbyladybug_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/listening%20abbyladybug_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/listening%20abbyladybug_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/05/</feedburner:origLink></item><item><title>Mormons, Puppets and Pooh
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/ANClqQlV16M/</link><description>&lt;p&gt;Tony winning composer &lt;a href="http://www.wnyc.org/../../../../people/r/?n=Robert+Lopez"&gt;Robert Lopez&lt;/a&gt; crafted the music of the hit Broadway musicals "Avenue Q" and "The Book  of Mormon." Today: Lopez talks about those productions and his latest  project, a new "Winnie the Pooh" film. And, Lopez plays live. Plus: the  story of a most extreme style - the zoot suit.&lt;/p&gt; &lt;p&gt;&lt;em&gt;This is a repeat edition of Soundcheck. &lt;/em&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ANClqQlV16M:kHNS6jEegAc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ANClqQlV16M:kHNS6jEegAc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=ANClqQlV16M:kHNS6jEegAc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/ANClqQlV16M" height="1" width="1"/&gt;</description><pubDate>Fri, 02 Dec 2011 15:45:11 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/02/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lopez_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lopez_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/Lopez_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/02/</feedburner:origLink></item><item><title>Chris Cornell's "Songbook"
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/74_SQ2BBARQ/</link><description>&lt;p&gt;&lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Chris+Cornell"&gt;Chris Cornell&lt;/a&gt; helped create the sound of Seattle grunge in bands like Soundgarden and Temple of the Dog. Now, he’s released a career-spanning live acoustic record, called "Songbook." He tells us how it came together.&lt;/p&gt;
&lt;p&gt;Plus, we check out Fugazi's newly released live archive with musician &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Ted+Leo"&gt;Ted Leo&lt;/a&gt;. And, a live performance from soul singer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=Charles+Bradley"&gt;Charles Bradley&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=74_SQ2BBARQ:YkZpWu1xQBs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=74_SQ2BBARQ:YkZpWu1xQBs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=74_SQ2BBARQ:YkZpWu1xQBs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/74_SQ2BBARQ" height="1" width="1"/&gt;</description><pubDate>Thu, 01 Dec 2011 13:02:05 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/dec/01/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/CC_general1_Deena%20Cavallo%20EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/CC_general1_Deena%20Cavallo%20EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/CC_general1_Deena%20Cavallo%20EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/dec/01/</feedburner:origLink></item><item><title>?uestlove: ? and A
</title><link>http://feeds.wnyc.org/~r/wnyc_soundcheck/~3/kgScawv1UNs/</link><description>&lt;p&gt;The Roots have helped shape the sound of hip hop for nearly 20 years. Now, they're releasing a brand new concept album, called “Undun." Today, we get a preview when drummer, Twitter guru and late-night tv personality &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=%3Fuestlove"&gt;?uestlove&lt;/a&gt; stops by the studio. Plus, a live performance from jazz guitarist and composer &lt;a xmlns:wnyc="http://wnyc.org/xsl/ns" class="guestlink" href="/people/r/?n=John+Scofield"&gt;John Scofield&lt;/a&gt;.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=kgScawv1UNs:3qqAjwTdbD4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=kgScawv1UNs:3qqAjwTdbD4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.wnyc.org/~ff/wnyc_soundcheck?a=kgScawv1UNs:3qqAjwTdbD4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wnyc_soundcheck?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wnyc_soundcheck/~4/kgScawv1UNs" height="1" width="1"/&gt;</description><pubDate>Wed, 30 Nov 2011 16:38:30 -0500</pubDate><guid isPermaLink="false">http://www.wnyc.org/shows/soundcheck/2011/nov/30/</guid><media:content url="http://media.wnyc.org/media/photologue/photos/cache/361_Amir_01_024EDIT_fiftyfive_square.jpg" width="55" rel="list_image" height="55" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/361_Amir_01_024EDIT_onethirty_square.jpg" width="130" rel="detail_image" height="130" /><media:content url="http://media.wnyc.org/media/photologue/photos/cache/361_Amir_01_024EDIT_threehundred_square.jpg" width="300" rel="full_image" height="300" /><author>listenerservices@wnyc.org (WNYC, New York Public Radio)</author><feedburner:origLink>http://www.wnyc.org/shows/soundcheck/2011/nov/30/</feedburner:origLink></item><copyright>© WNYC Radio</copyright><media:credit role="author">WNYC, New York Public Radio</media:credit><media:rating>nonadult</media:rating></channel></rss>

